Again the planned week of blog posts has been changed due to being to busy at work to scan and write anything new or to extensive. I was saving this stuff for another time but am excited to be putting it up today regardless. Back in January of 07 I started work on a comedy called Tropic Thunder and met a new buddy named John Warnke, John is a set designer/art Director and has been enjoying a brilliant career. He’s a very funny man and he introduced me to an old 50’s movie called “From Hell it Came”. It was a fun show to be on but a short one to say the least, I was done after a couple of months and John was on a little longer than me. It was now April and the phone rang,,, It was John W. calling to see if I would like to work on a Bryan Singer WWII movie. WOOOO HOOOOO,,, you betcha and we all met the next day at Lilly Kilvert’s (the Production Designer’s) flat in Hollywood. She was off to Germany the next day to start scouting and all the work John and I were to do would be from LA. A great meeting turned into a very fun but very short project. I think we got 4 maybe 5 weeks in and John W. was off to Europe to join Lilly and I was off to find something new. Our first day waiting to get in the office was a crazy one, standing on the sidewalk we found a long lady’s wig in the gutter,,, a few feet further a large/short lady’s dress and a few feet further giant lady’s high heel shoe’s,, I don’t think these were worn by a lady though!!! HAAA oh the fun of Hollywood! Anyways, some of my big movie goal’s in life were to work on a WWII movie, to work with the Coen Brothers, George Miller, Gillian Armstrong, Peter Weir, Brian Singer, and on a Western (a good one). and with this one I was able to make two checks off of my list. We worked in a little building called the digital Jungle which used to be Eden VFX’s old Building off of Santa Monica Blvd.. John W started on sets and my first project was to research what aircraft Hitler flew in during this time frame of the war. This was harder than I thought to find out and I spent a lot of time on the internet and at the bookstore trying to get all the details right. I found one book that had all the answers and some great photography as well,, sadly the photo’s were old, low res, and in very high contrast obscuring the Id #’s on the side of the plane’s I needed to see.,, Forced to read the whole book the #’s were buried deep in the text far from the pages were the pictures were. Proved to be time well spent because all the info gathered together made for a fun drawing. The Condor was the historical plane used at this time by Hitler, but for production a beautiful tri-motor was available and used in place of. after the plane was done John would give me photo’s sent from Lilly or rough blueprints to do perspective architecture drawings from. here is a sampling of what was drawn up in those those very fun but short weeks. Also a friend of mine named Patrick Lumb was the co production designer but he was exclusively doing his work overseas so we only talked thru others, HAA! Just saw the film for the first time a month or so back and it is clearly one of Singers finest films. The mood lighting, story and beautiful cinematography pulled together by Bryan’s visual style of story telling made this one a favorite film, even more so because I was lucky to be a part of it. The score by maestro John Ottman soars with eloquent themes and heavy tones and saturates every scene with a rich musical atmosphere. Put this one on your list to see if you haven’t already and turn up the surround sound,
I enjoy WWII movies a lot (which is good, because there have been a lot of them over the years!). This has been on my list, which is full of great stuff I haven’t gotten too, but it’s movin’ on up now!
It sounds like an interesting look inside Hitler’s regime, which has always, in a way, fascinated me how so many could have been dragged along with a madman.
Heading out for the day (see comment on previous post), it’s my day off. 😀
Too cool, dude! I have this film in my Netflix queue, but I may have to go and get it somewhere else as it has been out for so long. And I REALLY want to see this film for oodles of reasons. And, as I collect ’em, this has got to be one of THEE best movie-poster designs I have seen in a loooooong time. I only hang sci-fi and/or fantasy-based stuff though, too bad. Many this same graphic designer will do a good genre film some day, hopefully.
Cool ya got on the show, can’t wait to finally see it! 🙂
LLP,
deg
That Condor model is killer too!
Wow, I wanted to see this already but now I want to see this more! 😀
That Condor model is just beautiful and would have been wonderful to see on film. Because of the age of these World War II warbirds, I was wondering if real planes were used in “Valkyrie”, such as the tri-motor, Junkers Ju 52, or if green screen and CGI Luftwaffe aircraft were used.
“Valkyrie” was a very pleasant surprise and highly recommended. Even though we know the historical outcome of the events, Director Bryan Singer does generate a great deal of suspense in the film. Enthusiastic thumbs up!
Are the interior set drawings based on the appearance and dimensions of the actual historic locations at the time? Such as the Wolf’s Lair etc.
Nice! I didn’t know you got to work on this movie! I loved it! I go gaga for anything WWII and have been so facinated by it since 4th grade. This is a fantasic, yet tragic story that Bryan Singer did a great job telling in that masterful way he has of telling stories. John Ottman’s score was brilliant! I’ve always been impressed with him since his score for X-Men 2.
Ok, now I’m pumped up and want to see it again! It’s too bad you only got a short time on this project, but it sounded like it was fun!
Great work. You mention how you wanted to work on different genres of film. Was it fun for you when Star Trek would do something in those veins? Like time travel/strange planet/holodeck stories?
Never knew you where on the Tropical Thunder film, would love to know what you did on that.
I love War films but WWII has always fasinated me. It was suck a bad time and yet so many great inventions where created that are still being used to day. Radar and the jet engine come to mind.
As for this film, I manged to get a copy so I will be sitting down with the misses this weekend to watch it.
I am very interested in the July plot and collect autographs of the resisters. I just wanted to thankyou for your part in producing a very accurate and respectful tribute to some very brave and for the most part honourable men. A high level of accuracy and research extended to unifroms, vehicles, equipment, sets and casting. Many films would not have bothered. Thanks for your part in pulling off an excellent film.
Colin
Hello Mr. Eaves,
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With Kind Regards,
Dutch Visionary Artist
Saw this last night, eh. Excellent film, IMO. Was cool (and good to know) that there were so many in Germany still with relational minds. Made it all the more sorrowful to see them not accomplish their mission/goal.
Was kinda sad not to see the Condor too. Seems they just used a Junker Ju-52, if I recall correctly and am not mistaken. I like that bird too (built a prac of it), but would have liked to see the Condor.
Still, according to Wikipedia the 52 was used earlier on as Hitler’s transport, and retained as a back-up to the Condor:
So they were only fudging it a bit, creating at least a plausible anachronism. Maybe the Condor was down for service, eh. 😀
LLP,
deg
Oh yeah, was kinda bummed I didn’t see your name in the creds, eh.
PLL,
deg