Archive for March, 2010


Lilly Scott

If you’re an Idol fan, last night was a big heartbreak for me…My gal Lilly Scott didn’t make the top 12 and today the tears are a-flowin’ in the Eaves house!!!  Lilly’s voice and style are so unique and completely awesome… She, in a bizarre way, reminds me of the hauntingly beautiful  Siouxsie Sue, from Siouxsie and the Banshees in both her voice and artistry.  she really picked some great songs to showcase her talent, “lullaby” for Hollywood week, “fixing a hole” by the Beatles and then tackling the queen Patsy Cline with “I fall to pieces”.  she has an incredible gift and every inch of her pours out music!!! She is a force not to reckoned with..  Sad, sad news indeed she’s off the show but it opens the door for other opportunities sooner.  Lilly your great, and I am sure  nothing will stop you & you’ll be breaking through very soon.  I’ll keep my eyes ‘n ears out for ya, Lilly!!!!!


The Uss Iowa goes Kelvin

We’re getting to the end of the Iowa/Kelvin concepts, and here are a few of the final ideas.  The exterior was a color layout test for the med-evac version of the shuttle and the interior views.  The cockpit shown here has two different layouts, one has an off center doorway and asymmetrical floor-plan while the other has a central floor mounted console.  Both were ideas that had to be tossed around with how much would it take to redress the final set for interiors for other shuttles.  In the end, the asymmetrical concept was scrapped for the easier straight forward layout.  It was a treat to work on both the exterior and interior views, and this one had a lot of variations before it got to this stage.  From the art department’s line of assembly, these sketches would get the green light from our production designer, Scott Chambliss, then go to art director Curt Beech, who would then do some layouts and sketch up models to coordinate the final dimensions for the blueprint stage and then construction.  Next Clint Schultz the graphics designer would run with the drawings to make his own versions for graphics color, text and all the layouts for playback.  As all of this is happening, Jeff Frost, the model maker, builds a little scale miniature, and finally Joe Hiura builds the 3D model CG style for the VFX group and the modelers at ILM.  Lots of great talent in so many fields!!!  The collaborative process on this film was awesome, and the end results were pretty darned cool.

Enjoy today’s posts and back on Monday with some more fun stuff, happy weekend everybody.





Star Trek the shuttles of the uss Iowa

Here are a few more concepts that were drawn getting us closer to the final design.  The first two ideas were to get the doorway fully above the nacelle.  The long engines were liked right away so everything else had to work around them, and having a side door was a must so many ideas had to be put down on paper to make everything work.  In the end, the bottom of the door jam was at the same level as the top of the nacelle to give perfect clearance if we had a scene of Kirk’s Mom being loaded on board by gurney.  The bottom design is pretty close to the final design, and this was all done before the Iowa was changed to the Kelvin…for a while the shuttle was also named the Winterset.  So here ya go, and enjoy a few pieces from J.J.’s Star Trek.




pin up update #2 with Miss Laurel Rae


Here is another fun shot of my friend Laurel!!!


Pin up update with miss laurel rae


in b&w

It’s pin up week and here is my friend Laurel from Tucson, Arizona.  We did a late afternoon shoot last September, and this one was pretty much a throw away picture in it’s raw form, but I loved Laurel’s expression so turning it into a vignette kinda shot really made this one awesome!!  I have had Laurel’s lost files here on my desktop for months and finally found them, so I’ll be getting some of her great pictures up for you all to see this week!!!  Enjoy and more to come.


pin up update with Miss Cindy

it's Cindy

It's Cindy two

Howdy all and Happy Sunday!!!  Here are the first two pictures from last week’s shoot with my friend, Cindy!!!  She a Texas gal and lives not to far from me.  We have been trying to do this shoot for almost three months and bad weather cursed at least 6 or 7 shoot dates.  We finally  had a hole in the storms long enough to shoot one afternoon last week; it was still horrifically windy and pretty nippy out but the sky was clear, so we jumped at the chance to get some pictures taken.  Cindy is a pro all the way and pretty darned tough…Texas tough, I would have to say, and she ignored all the evils that mother nature was throwing our way and struck some awfully darned awesome poses.  We got a whole bunch of great pictures!!!  This one is a particular favorite and just finished getting it ready to post.  Hope ya’ll enjoy, and be sure to let Miss Cindy know what you think of her elegant modeling talents!!!


robert mccall, saying goodbye to a good friend

Robert T. McCall

I just got word of Robert McCall’s passing yesterday and am so very sad to hear this news…I had been working on a special about Bob for the blog here and am sad I didn’t get it finished in time for him to see.  Mr. McCall was 90 years old and painting away when he passed away last Friday, February 26th, 2010.  Many of you know of  Robert McCall, or if you don’t, I am sure you have at least seen his work.  He was a legendary artist, and his work has covered a multitude of subject matters.  At heart he was an astronaut, a pilot, and mostly a dreamer, with pencil and paintbrush as his means to take you to places far beyond the bounds of Earth.  He was a visionary genius who’s strokes on the canvas took us to places where no man had gone before!!  With his feet firmly planted on the ground, his imagination new nothing of shoes for his visions, always looking towards the heavens.

Bob’s work covered the world of aviation, from the big propeller driven planes to the supersonic hyper jets…from present day to historical space exploration and well into the future.  He re-landscaped the state of Arizona in many futuristic styles with incredible imagination…He created some of the most beautiful stained glass windows for many of the churches around Phoenix; he also created massive murals for the Smithsonian, Edwards AFB and beyond.  He created some of the most memorable art and designs for many motion pictures including the world of Star Trek.  He created many mission patches, as well as stamps for the US post office.  Mr. McCall’s work has no bounds, and he has done something for just about everything.  He was a true gentleman at heart with an endless imagination.  He was a loving husband and father, and he was a friend to everyone.  To me, he was my first artistic hero and for the last 13 years or so had become a very good friend.

As a young boy growing up in Arizona in the 60’s, I was captivated by aviation and especially by all the Gemini and Apollo missions taking us to the moon!!!  My whole world revolved around these things, and in early 1973 my mom had found a painting of a new NASA project called Skylab.  The painting was by an artist named Robert McCall, and I was glued to that picture for weeks!!!  I would try and draw it myself using Bob’s painting as a guide.  That little painting hung on my wall right next to my Apollo 17 mission patch that was also drawn by McCall.  My parents subscribed to “Arizona Highways” magazine, and it showcased everything beautiful about Arizona and it’s people in pictures.  I remember getting the mail in August of 1975 and the new AZ Highways was in amongst the other letters; on the cover was this beautiful wrap around painting of a Chromed city situated in the AZ desert.  Wow, I thought, “This is really cool.”  Looking through the pages, it was filled with fantastic art depicting solar cities and fantastic craft floating around the state.  The back of the mag was covered with some incredible space craft paintings and even the Apollo Soyuz stamps that McCall had drawn.  I looked at these drawings for months with such fascination.  Again, I had my tablet out and tried to draw these incredible things that graced the many pages that lie in front of me.  I took the mag to school and showed it to everyone I knew.  I showed my science teacher, Mr. Chuck Bell, and he became one of the most influential teachers in pushing me to become an artist.  Always with an encouraging word and giving me extra art assignments using McCall as my guide, he would take the finished art and showcase it on the wall behind his desk.  Outside of my parents, Mr. Bell was the first adult that took that that little extra time to encourage me on my way.  He is a great man and I owe him a great amount of thanks.

About this same time I got my first turntable and my dad bought me the soundtrack of the movie Jaws and the movie 2001.  Holy cow, the art on the 2001 album was by McCall, and again I couldn’t put the jacket down.  Far more detailed than what I had seen of his work in earlier years, the details were mesmerizing, and the way he used the lighting and the thick heavy shadows was awesome.  What I thought was so creative with his 2001 work was that he only showed you part of the ships.  Most of the craft would be off the canvas, thus making things seem far too massive to fit all on one page.  His work was magical, and he depicted weight and mass combined with light in shadow with such grace and elegance.  The “Arizona Highways” mag had got me drawing everything in McCall style.

A few years later, Star Wars & Close Encounters came out and started the big theatrical run of everything Sci Fi.  During that fantastic movie run, one of the big anticipated films to come was Star Trek:  The Motion Picture.  “Starlogmagazine was the big source of sci-fi info back in the 70’s, and when ever possible they would show what ever they could of what was coming next.  It would usually be some artwork or a teaser picture, but for Trek they showed some of McCall’s production paintings for the flying through Vger segment.  WOW!!!  Bob’s work is a part of STAR TREK!!!  I wanted to see it even more just because of his involvement.  After seeing the film and now 30 years later that sequence is still one of my favorite parts of the film.  All of Bob’s creative imagery combined with that incredible Jerry Goldsmith score made for one amazing moment in motion picture history!!!  Just a few short weeks after Star Trek was released, Bob’s work would be seen again, but this time as the principle designer for Walt Disney’s The Black Hole. Mr. McCall designed the Cygnus for the film which, in his original designs, was a ship composed of solid panels and high towers.  As the film’s designs progressed, Bob’s profile of the ship stayed the same, but the outer look turned into a series of beautiful and intricate framing and piped under-structures.  For the look of the filming miniature, the vessel was lit from within and gave it a very haunting look and feel against the deep space backgrounds.  The Cygnus was one awesome ship and is one that adds to a very vast body of work for McCall.

Time rolls on and Arizona Highways & Starlog keep Bob’s work and what his projects are up to date.  Moving away from the film industry he continued on with his space work for NASA and many museums and AFB’s around the country.  In the 90’s a great many art books are published on Bob’s work.  Thanks to Mr. McCall’s influence and inspiration, I was at that time celebrating my 10th anniversary of working in the movies as an artist.  It’s 1995 and I had had Robert McCall’s phone number for years but was too nervous to call.  All of the gang in the Star Trek art department were fellow fans of McCall, the Okudas, Jim Van Over, Anthony Fredrickson, and especially Doug Drexler.  It was Christmas break from Star Trek, and I was on my way home to see my parents.  One fine December day I worked up the courage to call, and he answered the phone.  What an awesome moment!!!  After a brief conversation, he invited me over to his place!!!  I had just finished the preliminary designs for the Enterprise-E and had made a copy of it, as well as a bunch of other artwork, as a gift of thanks.  Bob’s house was nestled in the hills of Scottsdale, and he and his wife, Louise, met me at the door.  Louise is an artist as well, and flowers are her forte.  She has such a beautiful style to her work, and she makes prints and cards of her creations.  Bob’s art room was a big open area with big flat cabinets holding generations of work, as well as many big pieces hanging around the room.  The first piece to catch my eye was a painting of the attack on Pearl Harbor in 1941.  It was a huge painting, and Bob went on to say it was one of 8 paintings he did for the movie Tora, Tora, Tora. I had no idea that he had worked on that classic motion picture.  We had a great afternoon, and Bob and Louise were extremely gracious; It seemed like we we had been friends for years.  Bob signed three of his books for me, as well as a print from Star Trek, and Louise gave me a pack of her flower prints.  It’s not every day you get to meet someone you admire, and in the movie industry disappointment is usually what follows, but as for meeting the McCalls, it was the start of a great friendship.  We kept in touch throughout the years and would visit often when I was in town.  Robert’s daughter runs his website and does one mighty fine job, so be sure to follow the link below and spend some time looking and reading all of the incredible stuff there.

We  will miss you dearly Robert…and to Louise and your kids and your grandkids, I send my very best and prayers as well.

below are some of  Mr. McCall’s beautiful paintings…

from 2001

another from 2001


the Cygnus

Apollo 8 introduction to the art of Robert McCall

full spread of the August 1975 Arizona Highways magazine

one of Bob's paintings from the Aug 75 AZ Highways

Bob in his studio

cover art for "Our World in Space"

Bob's note written in "Our world from Space"

cover art

a note from Bob in "The Art of Robert McCall"

and a final note from my friend

cover art

Thank you, my friend, for all you have done.

March 2010